Aquarium Drunkard - SIDECAR (TRANSMISSIONS) - Podcast

Categories

Music
general

Archives

2017
May
April
January

2016
September
August
July
June
May
April

2015
May

2014
August
June

2013
December
May
January

2012
December
November
October
September

May 2017
S M T W T F S
     
  1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 31

Syndication

Welcome to Aquarium Drunkard’s recurring Transmissions podcast. Today, we continue our mini-series in collaboration with the folks at Mexican Summer. In March, AD’s Jason P. Woodbury headed out to Marfa Texas to attend Mexican Summer’s Marfa Myths Festival, a four-day, multi-disciplinary celebration of art and music in West Texas, which resulted in his essay, “There’s No Such Thing As Nowhere.”

For this episode, he sat down with Natalie Mering, who records as Weyes Blood. We’ve long been fans of her sounds — our own Chad Depasquale said her most recent record, Front Row Seat to Earth, “evokes an atmosphere reminiscent of private press psych-folk and progressive exploration.”

This talk dives deep into her religious upbringing and explores the apocalyptic tone that pervades much of her songs.

Direct download: whole.mp3
Category:Music -- posted at: 2:50pm PDT

For this episode, Woodbury down with poet and novelist Eileen Myles. She came up in the ’70s, at the St. Mark’s Poetry Project in New York. In 2015, her 1994 novel Chelsea Girls was reissued; in 2016, she released a collection of poems written between 1975 and 2014 called I Must Be Living Twice. In this episode, Myeles discusses her process and her next book, Afterglow, and along the way we’ll hear some selections of Myles’ poetry, pulled from her live album Aloha/Irish Tree, paired with recordings by Marfa Myths performers Pharoah Sanders and Kaitlyn Aurelia Smith. Photo by Peggy O’brien.

Direct download: Transmissions_Podcast____Eileen_Myles.m4a
Category:Music -- posted at: 2:01pm PDT

Welcome to Aquarium Drunkard’s recurring Transmissions podcast. Today, we’re launching a new mini-series in collaboration with the folks at Mexican Summer. Last month, we sent AD’s Jason P. Woodbury to Marfa Texas to attend Mexican Summer’s Marfa Myths Festival, a four-day, multi-disciplinary celebration of art in music in West Texas, which resulted in his essay, “There’s No Such Thing As Nowhere.”

While out there, Woodbury hooked up with a number of Myths performers to record interviews. For this episode, he sat down with the Los Angeles-based four-piece the Allah-Las, to discuss the group’s record store roots, sound, and Reverberation Radio, their long-running online radio series.

Direct download: Transmissions_Podcast____Allah-Las.mp3
Category:Music -- posted at: 10:05pm PDT

On last year’s Golden Sings Which Can Be Sung, Chicago-based singer and guitarist Ryley Walker came into his own. It wasn’t his first great record, but it was his most realized, a work that added shades of jazz, psychedelia, and experimental rock to his soulful folk sound. Writing about the record, AD’s Chad DePasquale said: “On two previous two long-players, comparisons to artists like John Martyn, Bert Jansch, Tim Buckley, and Nick Drake dominated conversations about Walker, but his latest finds him exploring English jazz folk through the unique lens of the Chicago experimental scene he came up in, folding in elements of improvisational jazz and experimental textures.”

We caught up with Walker last fall at Fivethirteen Recording in Tempe, Arizona, to discuss the record and hear a few songs. Keeping with his spirit of experimentation, Walker and band decided the setting was right to try out a few new tunes. We’re happy to debut three of them, “Shaking Like the Others,” “I Laughed So Hard I Cried,” and “Two Sides To Every Cross,” here for the first time, along with our interview.

Direct download: Ryley_Walker.mp3
Category:Music -- posted at: 7:58pm PDT

1