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Syndication

Earlier this year, we published an interview with Major and he played selector on the Aquarium Drunkard Show on Sirius XM, pulling out rare psych, private press oddities, and much more. He’s the subject of a new book, Feel The Music: The Psychedelic Worlds of Paul Major, and the compiler of an accompanying soundtrack, Feel the Music Vol. 1, both out on Anthology. The book compiles scans of Major’s rare record catalogs, which featured his hallucinatory music writing, alongside essays by his friends, bandmates, and collaborators. In all, the book and soundtrack illustrate Paul’s attraction to “real people” music and testify to his desire to share the weird music and ideas that turn him on.

In the second half of the show, Aquarium Drunkard founder Justin Gage and co-host Jason P. Woodbury explore the sound of ten of their favorite reissues of 2017, including Jackie Shane, Outro Tempo: Electronic And Contemporary Music From Brazil 1978 – 1992, crucial Pharoah Sanders titles, Acetone’s 1992-2001, Alice Coltrane, and more. Check out the full list of reissues after the jump.

Direct download: Paul_Major___2017_Reissues.mp3
Category:Music -- posted at: 9:27am PST

Krano – Mi E Ti
Ryley Walker – Everybody Is Crazy (Amen Dunes)
Kacy & Clayton – The Siren’s Song
Joan Shelley – Over And Even
Meg Baird – Counterfeiters
Jennifer Castle – Sailing Away
Steve Gunn – Way Out Weather
Anna St. Louis – Fire
Jana Hunter – A Bright-Ass Light
Angel Olsen – The Sky Opened Up
Sweet Tea – If I Were A Carpenter
Heron Oblivion – Beneath Fields

Direct download: 01_Transmission___17.mp3
Category:Music -- posted at: 8:12pm PST

On Hiss Golden Messenger’s new album, Hallelujah Anyhow, songwriter M.C. Taylor stares down darkness, only to find it’s simply “a different kind of light.” It’s a record about chasing freedom and finding hope in unexpected places: among worn guitars, in clouds of smoke, and in the sound of wafting Caledonia soul music. The record continues Hiss’s evolution from solitary, lonesome folk to celebratory and loose country rock and soul. It’s “music for hope,” Taylor says, and though it doesn’t hide its concerns, stressed, or worries, it’s nonetheless a welcome moment of lightness in these heavy times.

For this episode of the Aquarium Drunkard Transmissions podcast, AD’s Jason P. Woodbury spoke with Taylor in Oregon at the Pickathon music festival. The conversation — like Hiss’s songs — is frank, earnest, and genuinely warm. It pairs well with Hiss Golden Messenger’s Lagniappe Session, which found the group covering the Faces and Ralph Stanley & the Clinch Mountain Boys. Hiss Golden Messenger’s Hallelujah Anyhow is available now via Merge Records.

Direct download: Hiss_Golden_Messenger.mp3
Category:Music -- posted at: 12:00am PST

On this installment, we sit down with Chris Schlarb of Psychic Temple to discuss Psychic Temple IV, a melange of West Coast pop magic, sophisticated textures, and exploratory rock & roll. It’s a record that finds Schlarb commanding a vast ensemble of players — including Max Bennett (Joni Mitchell, Frank Zappa, the Wrecking Crew), Terry Reid, current and former members of Cherry Glazerr, the Philip Glass Ensemble, Cryptacize, the Dirty Projectors, and many more. Schlarb is a true journeyman, whose work spans country, gospel, gangsta rap, avant-garde, and jazz, and here he discusses it all, elucidating his unique approach to music making.

Then, M.C. Taylor of Hiss Golden Messenger explains why 1972’s Bright Phoebus: The Songs of Mike and Lal Waterson is one of his favorite LPs. Recently reissued by Domino Records, the album’s blend of country, rock, folk, and psychedelia, has served as a sort of emotional compass for Taylor, whose new album, Hallelujah Anyhow, due out from Merge on September 22, will be the topic of our next episode.

Direct download: Psychic_Temple___Hiss_Golden_Messenger_on_Bright_Phoebus.mp3
Category:Music -- posted at: 6:00am PST

Welcome to Aquarium Drunkard’s Transmissions Podcast, a recurring series of conversations with songwriters, authors, and creators about what drives their art. We’re proud to share an interview with Nick Lowe this week. AD’s Jason P. Woodbury talked with the producer, songwriter, and performer, who’s made records with Elvis Costello, the Damned, Squeeze, Johnny Cash, and dozens more, and penned classic songs like “What’s So Funny About Peace, Love, and Understanding,” “Cruel to Be Kind,” “I Love the Sound of Breaking Glass,” “The Beast in Me,” and many others.

On Friday, July 14th, Yep Roc Records releases the first in a series of reissues documenting Lowe’s ’80s era, beginning with 1982’s Nick the Knife and 1983’s The Abominable Showman, with the rest of his catalog through 1990’s Party of One coming throughout 2017. The period saw the British rocker expanding his stylistic palette, exploring the ties between skiffle and country music. While his edges softened some sonically, his lyrical focus remained sharp, and songs like “All Men Are Liars” and “My Heart Hurt” point to the kind of songs that would bolster his late career renaissance in the early 2000s and up to present day. We reached Lowe from Nashville to discuss those records, his marriage to Carlene Carter, the pub rock, punk rock, hanging out with Lemmy’s pre-Motörhead band Hawkwind in the early days, and a lot more.

Direct download: Transmissions_Podcast_-_Nick_Lowe.mp3
Category:Music -- posted at: 12:00am PST

t. For this episode, AD’s Jason P. Woodbury sat down with Timothy Showalter of Indiana’s Strand of Oaks to discuss the band’s latest album, Hard Love, which melds Showalter’s love of dub reggae production with heartland rock and the big beat sound of Creation Records’ heyday.

Direct download: Transmissions_Podcast_-_Strand_of_Oaks.mp3
Category:Music -- posted at: 8:49am PST

For this episode, Woodbury sits down with artist and musician Lonnie Holley. His sculptures, assembled from found objects, seemingly align each random component with meaning. In 2012, Holley released his debut album, Just Before Music, on Atlanta label Dust to Digital. Reviewing the record, AD’s A. Spoto wrote, “He sings with an intense, emotional voice and unleashes lyrics without consistent meter or rhyme over gossamer keyboard lines that hang in the ether. His music is a blues nebula, splotched with riffy word jazz that shares in some rappers’ collagist aesthetics as well as the runaway passion of a gospel preacher enlivened by the Spirit.”

He followed it with a second, Keeping a Record of It, in 2013. Both featured improvised music and melodies, drawing on Holley’s personal reserve of gospel, jazz, blues, and folk music. Like his music, this conversation is wide-ranging and freeform, a gentle and inquisitive exploration into how much meaning we’re willing to grant the world around us.

Direct download: Lonnie_Holley.mp3
Category:Music -- posted at: 10:42am PST

Welcome to Aquarium Drunkard’s recurring Transmissions podcast. Today, we continue our mini-series in collaboration with the folks at Mexican Summer. In March, AD’s Jason P. Woodbury headed out to Marfa Texas to attend Mexican Summer’s Marfa Myths Festival, a four-day, multi-disciplinary celebration of art and music in West Texas, which resulted in his essay, “There’s No Such Thing As Nowhere.”

For this episode, he sat down with Natalie Mering, who records as Weyes Blood. We’ve long been fans of her sounds — our own Chad Depasquale said her most recent record, Front Row Seat to Earth, “evokes an atmosphere reminiscent of private press psych-folk and progressive exploration.”

This talk dives deep into her religious upbringing and explores the apocalyptic tone that pervades much of her songs.

Direct download: whole.mp3
Category:Music -- posted at: 2:50pm PST

For this episode, Woodbury down with poet and novelist Eileen Myles. She came up in the ’70s, at the St. Mark’s Poetry Project in New York. In 2015, her 1994 novel Chelsea Girls was reissued; in 2016, she released a collection of poems written between 1975 and 2014 called I Must Be Living Twice. In this episode, Myeles discusses her process and her next book, Afterglow, and along the way we’ll hear some selections of Myles’ poetry, pulled from her live album Aloha/Irish Tree, paired with recordings by Marfa Myths performers Pharoah Sanders and Kaitlyn Aurelia Smith. Photo by Peggy O’brien.

Direct download: Transmissions_Podcast____Eileen_Myles.m4a
Category:Music -- posted at: 2:01pm PST

Welcome to Aquarium Drunkard’s recurring Transmissions podcast. Today, we’re launching a new mini-series in collaboration with the folks at Mexican Summer. Last month, we sent AD’s Jason P. Woodbury to Marfa Texas to attend Mexican Summer’s Marfa Myths Festival, a four-day, multi-disciplinary celebration of art in music in West Texas, which resulted in his essay, “There’s No Such Thing As Nowhere.”

While out there, Woodbury hooked up with a number of Myths performers to record interviews. For this episode, he sat down with the Los Angeles-based four-piece the Allah-Las, to discuss the group’s record store roots, sound, and Reverberation Radio, their long-running online radio series.

Direct download: Transmissions_Podcast____Allah-Las.mp3
Category:Music -- posted at: 10:05pm PST